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Chapter 22: The Press Conference

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Updated Feb 23, 2026 • ~15 min read

POV: Dominic

One month.

Thirty-one days of actual, demonstrable, structural change — not promised, not implied, not contingent on Valencia’s return but undertaken because it was overdue and because he finally understood, in the way you only understand things when you’ve lost them, what he’d been doing wrong.

The COO has been in place for three weeks. Operations are running. The quarterly projections came in strong without Dominic having micromanaged every line item, which was both a relief and quietly humbling. Hard limits on his hours — home by six, no exceptions, the exception clause quietly eliminated because exceptions are how limits dissolve — have held. He’s in therapy twice a week with a specialist who has an uncanny ability to ask the one question Dominic least wants to answer, and who does so without apology, and from whom Dominic has learned more about himself in four sessions than in the previous decade of believing he had everything under control.

Present for Jules, every morning and every evening and every in-between. Breakfast together. Dinner together. Bedtime stories that run long because Jules has opinions about narrative and is not shy about expressing them. Weekend mornings at the playground where Dominic sits on the bench in the cold and watches his son work through the physics of the swings with an engineer’s concentration.

The changes are real.

He needs Valencia to know that.

He needs to tell her in a way she can’t dismiss as damage control or strategic positioning or a publicist’s advice — because those are the things she’d expect from him, the Dominic who managed everything from behind a carefully constructed professional persona. He needs to be unrecognizable from that version of himself.

“You’re sure about this?” Ethan asks. They’re in Dominic’s office on Thursday morning, the press conference plan spread across the desk — venue confirmed, media list confirmed, setup complete. Ethan keeps reviewing it the way you review something you think might be a mistake, not because you want to stop it but because due diligence requires you to try.

“Completely sure.”

“This will go viral. Everything you say will be on twelve platforms within the hour. Society will talk. Your mother will—”

“My mother will lose her mind. Yes. And then she’ll have to decide what she values more — her pride or her access to her grandson. I’ve made my position clear.”

“Business associates might see this as evidence that you’ve gone soft. Publicly vulnerable billionaire isn’t typically a reassuring profile for investors.”

“Then they can reassess their positions. My reputation is not worth more than she is.” He pauses. “That’s always been true. It just took me too long to act like it.”

Ethan looks at him for a moment. There’s something in his expression that isn’t quite the exasperation he usually brings to these conversations. “And if she still says no?”

“Then I’ve still done the right thing. And I keep proving it. However long it takes.” He meets Ethan’s eyes. “But I don’t think she’ll say no. She loves us. She loved us enough to leave when things were wrong, which is a particular kind of love — the kind that has actual standards. I think she can love us enough to come back when things are right.”

“Confident.”

“Hopeful.” A distinction that matters to him. He’s spent a month learning the difference. “There’s a difference.”

Ethan’s expression settles into something warmer than his default setting. “This is either the most romantic thing I’ve ever witnessed or complete career suicide.”

“Probably both. I genuinely don’t care which.”

The press room on Friday afternoon is the one he uses for product launches — neutral walls, good acoustics, configured for a medium-sized media presence. His PR team has arranged everything with their usual efficiency, having been told only that he’s making a personal announcement. They don’t know the content. No one does, except Ethan, who is standing at the back of the room with the expression of a man watching someone jump off a perfectly good cliff.

The room fills.

Tech journalists, business reporters, tabloid media who caught wind that something unusual was happening, a scattering of general assignment reporters who go wherever there’s a story. The murmur of speculation runs through the assembled press as they settle in. Dominic watches them from the side corridor, feeling something he hasn’t felt in professional settings for a long time: genuine, uncurated nervousness. His hands are steady — he has good hands, always has, the kind that don’t betray him in board rooms or on stages — but there’s something happening in his chest that he recognizes from his early career, from the first time he stood in front of investors and asked them to believe in something that didn’t yet exist.

This is bigger than that.

Everything professional was always smaller than this.

He steps to the podium. The room stills.

He takes a breath, not for effect but because he needs it, and looks at the assembled journalists and cameras with an expression that is, he hopes, simply honest.

“Thank you for coming. I’m aware you’re expecting a business announcement.” He pauses, and the pause is genuine. “This isn’t that. This is personal.”

A current of confusion moves through the room. Cameras that were aimed at mid-height shift upward to frame his face. People lean forward almost involuntarily. A billionaire calling a press conference to say something personal is, in this world, genuinely unprecedented.

“I’ve been asked repeatedly, over the past months, about my personal life. About the woman I’ve been seen with publicly. About my relationship status. I’ve declined to comment on all of it. Today I’m commenting.”

He looks directly at the main camera. He’d thought about this — about the particular camera, about where it would be placed, about the fact that she might be watching, that she almost certainly is watching, because Maria almost certainly told her and Maria is exactly the kind of friend who would make her watch. He looks at it the way he would look at Valencia if she were standing in front of him.

“I fell in love with my son’s nanny. Her name is Valencia Rivera. Society had opinions about the class difference. My mother disapproved. Business associates questioned my judgment. And rather than shutting all of that out and prioritizing what mattered, I let it press in. I let my work consume me at the moment she needed me to show up. And I lost her. It’s the most significant mistake I’ve ever made.”

The room is entirely still. He registers it peripherally — the hush, the cameras, the dozens of people who came expecting a quarterly update and are getting something they don’t have a framework for — and he continues.

“Valencia Rivera is the best thing that has happened to me and my son in two years. After my wife died, my son stopped speaking for thirteen months. Thirteen months of silence, of watching him move through his days like a small, careful ghost, and nothing I did, no specialist I hired, no intervention I funded, reached him. Valencia reached him. She sat on the floor of his bedroom with a handful of building blocks and she didn’t force anything and she didn’t perform anything and she didn’t try to fix him, and within ten minutes he handed her a block. Within months he was narrating his life in complete sentences.”

His voice holds, but it’s an effort.

“She healed my son. She made our house feel like a home for the first time since I lost my wife. And she challenged me — not aggressively, not strategically, but simply by being clear about what she needed and what she deserved. She made me want to be better. And I was too consumed by work, too caught in professional success, too unwilling to give up control, to actually become that person while she was still there to see it.”

He takes a breath.

“When a hostile takeover threatened my company, I disappeared into the crisis. Stopped showing up. Left Valencia to manage everything alone — our relationship, my son, the household — while I treated seventeen-hour days as a moral necessity. And she left. She was right to leave. I was not showing up. I was not the partner she deserved or the father Jules needed. She was right.”

A few journalists are typing. Most are just watching. This is not the kind of press conference that gets processed in real time; it’s the kind that gets processed afterward, alone, when you’re deciding whether to believe that a person can actually mean something.

“So I changed. Not promised — changed. I hired a COO and stepped back from daily operations. I set limits around my hours that I’ve kept every single day for a month. I started therapy. I became present for my son in the ways he needed me to be present. I did the work. And I’ve been doing it consistently, not because Valencia asked me to, but because it was the right thing and because losing her made the wrongness finally legible.”

He looks at the camera again. At her.

“If you’re watching — and I hope you are — I’ve changed. Not temporarily. Not as damage control. The changes are structural and real and I’ve proven them over thirty days and I’ll prove them over thirty years. I restructured my life around what actually matters, which is you and Jules. I’m home every night. I’m present. I’m the person I should have been from the beginning.”

His voice breaks. He lets it.

“I love you, Valencia. I love how you healed my son when I couldn’t. I love how you refused to accept being secondary, because you never should have been. You were right about every single thing you needed. You were right to leave when I wasn’t giving you those things. And I am standing here in front of every camera in this room telling you — asking you — to come home. Not because I need you to believe my words. Because I have proof. Because the work is already done. Because Jules asks about you every day and calls the penthouse ‘our home’ in a way that includes you, and because I want him to be right.”

He pauses.

“I love you. Come home. Please.”

He steps away from the podium.

The room erupts — not in applause, but in the immediate organized chaos of a media event breaking out of its expected shape, reporters talking over each other, someone calling his name, cameras swinging to track him. He walks through it without stopping, through the side corridor, back into the quiet of the service area behind the venue.

Ethan appears beside him. Neither of them speak for a moment.

Then Ethan says: “It was the most romantic thing I’ve ever seen. For the record.”

“Is there video already?”

“It was live-streamed. It’s been clipped. It’s been reshared. It’s probably on every platform that exists and a few that don’t yet.”

Dominic’s phone is already vibrating steadily. He checks it — not for Valencia, not yet; she’ll respond in her own time, on her own terms, which is exactly as it should be — and sees his PR director’s name, two board members, Ethan’s assistant, his lawyer, and several contacts he recognizes as journalists. He puts the phone face-down on the seat beside him in Ethan’s car and watches the city move past the window.

The video spreads with the specific velocity of things that are unexpected and real. Within the hour, the trends on every major platform include his name. The headlines arrive in waves.

“Billionaire’s Public Love Declaration.”

“St. Clair Admits He Failed, Asks Girlfriend to Return.”

“Most Romantic Press Conference Ever? The Internet Thinks So.”

Think pieces emerge within hours — about class and love, about public vulnerability as a radical act, about what it means that the most intensely private man in tech just said the truest thing about himself in front of fifty cameras. The comments are overwhelmingly, unexpectedly kind. The internet, which is capable of extraordinary cruelty and is often unreliable, decides collectively that this is the good kind of spectacle.

His mother calls ninety minutes after the press conference ends.

He almost doesn’t answer. He does, because the conversation is necessary and because putting it off only makes the thing he’s already decided feel unresolved.

“Dominic.” Genevieve’s voice is at its most controlled, which is how he knows she’s furious. Controlled fury is worse than open fury; it contains more deliberate sentences. “Have you completely lost your mind? A press conference — a public, live-streamed press conference, begging that girl to come back. Making a spectacle of yourself for the entire world.”

“I love her. I’m fighting for her. What society thinks about the method is not something I’m willing to factor in.”

“You have humiliated this family—”

“I’ve been honest. Those are not the same thing. I said nothing today that wasn’t true.”

“You made yourself a laughingstock. Publicly vulnerable, publicly emotional — you know what people will say about your judgment—”

“Mother.” He keeps his voice level, the way he would with someone he still respects enough to speak to plainly. “I’m going to ask you one more time, and whatever you say next determines what happens between us. Are you ready to accept Valencia? Not perform acceptance. Not tolerate her. Accept her — because she makes Jules happy, because she makes me happy, because she’s going to be in our lives and I would like you to be in our lives too.”

Silence.

The particular silence of someone weighing the cost of what they’re being asked against the cost of refusing it.

Then, reluctantly, with the audible effort of someone setting down something heavy: “If she makes you this… committed… I suppose I have very little choice.”

It isn’t acceptance. Not the warm, genuine kind. It’s grudging acknowledgment — the recognition that the alternative costs more than she’s willing to pay. He would prefer the real thing. He’ll take what he can get and hold the rest to a standard, and see what grows.

“When Valencia comes home, you’ll be respectful. Not performing respect. Actually respectful.”

“When.” A pause. “You’re quite confident she’ll come back.”

“Hopeful,” he says, for the second time that day. “But yes. She loves us. She’ll come back when she knows it’s safe to. When she believes the change is real.”

“And if she doesn’t?”

“Then I keep proving it until she does.”

Genevieve is quiet for a moment. Then, in a voice that has shed a layer of something: “You really do love her.”

“More than anything.”

“Fine.” He can hear her arriving, slowly and with resistance, at something that might eventually become genuine. “If she comes back. I’ll try to be civil.”

“Thank you.”

He hangs up. It’s probably the best his mother is capable of right now, and right now it’s enough. He’ll ask more of her later. People can change; he’s been proving it himself for a month.

Now the waiting begins.

The video keeps spreading. Millions of views by evening, the comment sections full of strangers who have decided, collectively, to care about this. His PR team sends a message that is the corporate equivalent of someone watching a car drive off a cliff and being quietly surprised that the car is still moving. His therapist sends a brief: Saw the press conference. We have a lot to discuss on Tuesday. Ethan sends a series of increasingly enthusiastic texts.

Jules watched the press conference on Dominic’s laptop with the focused attention he brings to documentary footage of pterodactyls. When it was over, he sat for a moment in that considering silence he gets before he says something important.

“Is V coming home now?”

“I hope so, buddy. We have to wait and see.”

Jules nodded slowly, processing this. “I’m going to make her a drawing. In case she needs something to look at while she decides.”

He’s been in his room for an hour now, working on the drawing. Dominic sits in the living room and watches the door and checks his phone — not with the frantic checking of desperation but with the steady attention of someone who has done everything within his power and is now in the territory that belongs to someone else.

She knows the truth now.

She knows the changes are real.

She knows he loves her — not as a private, carefully protected thing, not as something he’d admitted in quiet moments and then walked back into professional distance. Publicly. Verifiably. In front of every camera in the room.

Come home, he thinks, in the quiet of the living room with Jules’s crayons scattered on the coffee table and the city beginning to go dark outside and everything he’d built and rebuilt in the past month waiting like a held breath.

Come home.

We need you.

I need you.

And I will be here, proving it, for however long the answer takes.

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